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Original Article About Dexters

 

"Smallfarming Landscapes, Real and Imagined" - Part II

by John Paterson

 

Children's Books: Animals and Rubbish Dumps

 

Over the years I have collected a selection of children's picture books with interesting, intriguing or imaginative illustrations. These are books to be read in ten minutes but to be lost in for hours. I think what attracts me to them is that their illustrations are of inhabited landscapes, real or imagined, and they stimulate both the geographer and smallfarmer in me. They teach that the real landscape should be looked at imaginatively in order to see its many facets, and that imagined landscapes are based on real possibilities and make visible what are often invisible values and virtues.


For example, Graeme Base's books always have well-painted pictures which are central to his stories. His "Animalia" is probably his best known work, an alphabet book which has an animal-related picture for each letter. I still occasionally see it in bookstores. I have three jigsaws of pictures from this book. One of them is "Proud peacocks preening perfect plumage". Behind five magnificent peacocks standing amidst poppies and pansies is a parade passing in front of a prince and princess, with a palace and pagoda in the background. In the procession of people is a politician talking to a pregnant woman pushing a pram, preceded by, among others, a pygmy, piper, policeman, pharaoh and percussionist. Altogether there must be over a hundred things, plants, animals and people beginning with "p" inhabiting this landscape of the imagination. In each "Animalia" painting, Graeme Base has placed himself somewhere as a boy, sometimes partially hidden, and you end up searching carefully to find him.


Colin Thompson is another author whose pictures are crammed with animals, machines, and things. His are finely drawn and intricate illustrations, full of unusual sights. His books explore people's impact on the natural world. "The Paperbag Prince" is about an old man living in an abandoned railway carriage on a rubbish dump, observing the slow march of time bringing a gentle healing to this blight on the green countryside. One of the pages in "The Paperbag Prince" shows part of the rubbish dump - old shoes, pots, tv sets, toys and tyres, all homes to birds, foxes, mice, frogs, cats, caterpillars, spiders and ants. But a careful examination of the picture reveals more astonishing sights - a tiny submarine in a lily pond, a yacht on a small lake, a human hand emerging from within a book to open its cover, a small ladder leading up to an equally small door, a castle nestled amidst candles, a duck asleep in an armchair, a human couple enjoying a tropical sunset underneath palm trees. Thompson also encourages you to search his landscape of the imagination in great detail by placing in many of them a tiny black dog often outlined against a lighted window.


Graham Oakley is the author the "Church Mice" series of books first published in the 1970s. Each book recounts the adventures of Arthur and Humphrey and their fellow mice who live in a church in Wortlethorpe with their friend Sampson the cat. The stories and accompanying illustrations are always full of action, movement and interesting characters, all set within a small English town and its surrounding countryside, albeit viewed from the rather unusual perspective of church mice. Oakley has also written "Hetty and Harriet", about two hens who escape from an English smallfarm only to find that the world outside is nowhere near as safe and comfortable.


On to Part Three

 

   

 

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